Put another dime in the ‘Jukebox,’ baby
It’s not the first time that Chan Marshall has celebrated her influences. Eight years after “The Covers Record,” on which she redid songs reflecting the folksy blues that shaped her, “Jukebox,” showcases both Marshall’s deference to her predecessors and her ability to reinvent classics. The result is a varied album from an artist who, to the uninitiated, still sounds like she’s making music for angst-ridden drug addicts.
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In the Graduate School, a focus on the family
