Rivers delivers by embracing the past
If Rivers Cuomo had to pick a way to describe his fans, he’d probably go with “little bitches.”
At least, that’s what he called them in an interview with Guitar World Magazine in 2002, upon the release of Weezer’s fourth album, “Maladroit.” Cuomo and his band have always had a strange relationship with their diehard fan base, a stock of faithful holdovers from Weezer’s career-defining early work (1994’s “Blue Album” and 1996’s “Pinkerton”) that has since slowly dwindled with each officially released disappointment. On the eve of Weezer’s most recent, 2005’s “Make Believe,” drummer...
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