Indignation delight
“The whole show can fit into an overhead compartment,” director Michael McQuilken says, referring to “A Day in Dignation,” a sketch opening this weekend at the Yale Cabaret. And indeed, the show’s physical bulk is limited to one short and skinny actor — Rex (Will Connolly) — and a projector loaded with a few CDs.
This minimal arsenal blasts forth a streak of visual and emotional intensity in an unconventional mode of presentation. The show consists of Connolly interacting with streaming digital sets projected onto a screen behind him and synchronizing his actions with a series of...
