Chantal Fernandez
Chantal Fernandez
Recent Stories
Yalies showcase art in Santa Fe
Last weekend marked the opening of SITE Santa Fe’s eighth International Biennial Exhibition, co-curated by Sarah Lewis GRD ’13, a doctoral candidate in the History of Art Department and a critic in painting and printmaking at the School of Art. The exhibition, titled “The Dissolve,” presents contemporary art that fuses technology with traditional art forms, primarily through animation.
J. Crew and Jenna have a fan in Oprah
Everybody is loving J. Crew right now, even Oprah. The all-American brand has transformed in the last five years under the guidance of creative director Jenna Lyons, who has managed to keep that J. Crew cool prep factor while elevating the brand to the cutting edge of fashion. Read more after the jump.
Art Gallery nets famed photo archive
The Yale University Art Gallery and the Beinecke Rare Book and Manscript Library will announce today their joint acquisition of an archive of the work of famous American photographer Lee Friedlander.
Designer’s life and works explored
One of the first professors in Yale's graphic design degree program was Herbert Matter, the subject of a new documentary, “The Visual Language of Herbert Matter."
Yale’s approach in focus
With its attention on the value of photography as an art form in and of itself, the Yale School of Art has influenced the making of photography in America for the past four decades.
Founding director of British Art Center honored
Today in Chicago, Professor Emeritus of the History of Art Jules Prown will be honored for his contributions to the study of the history of art at the College Art Association’s annual conference.
Yale’s message in a bottle
On a hillside in rural Connecticut, there is a small, red wooden house. Inside, a natural spring rises to the surface through a granite base above a pit of sand. This is the source of Yale’s bottled water.
Get history with the “boys”
Danielle Tomson’s ’12 production of “The History Boys” defies definition just as the idea of history itself defies definition in Alan Bennett’s Tony Award winning play.
A new perspective from an old hand
American photographer Rodney Smith DIV ’73 has never shied away from asking existential questions. In his latest book, “The End," Smith reevaluates the photographic vision that has defined his more than 30-year career in New York.
Christmas comes early to the Gallery
HARTFORD — Tucked away in an old warehouse here is a room filled to the ceiling with photographs. There are photos propped up against the wall, on top of bookshelves, in collages on the white-painted brick walls — on every visible surface of the studio.